{"id":28143,"date":"2017-02-01T12:50:24","date_gmt":"2017-02-01T15:50:24","guid":{"rendered":"http:\/\/pipocadepimenta.com\/?p=28143"},"modified":"2017-05-05T18:53:08","modified_gmt":"2017-05-05T21:53:08","slug":"diretor-frances-jean-renoir-ganha-mostra-no-centro-cultural-banco-do-brasil","status":"publish","type":"post","link":"https:\/\/www.cinemaup.com.br\/en\/diretor-frances-jean-renoir-ganha-mostra-no-centro-cultural-banco-do-brasil\/","title":{"rendered":"Diretor franc\u00eas Jean Renoir ganha mostra no Centro Cultural Banco do Brasil"},"content":{"rendered":"<div style=\"text-align: justify;\">A partir de hoje o Centro Cultural Banco do Brasil (CCBB) recebe a mostra \u201cA Vida L\u00e1 Fora: O Cinema de Jean Renoir\u201d, que fica em S\u00e3o Paulo at\u00e9 o dia 27 de Fevereiro.<\/p>\n<div style=\"text-align: justify;\">\n<div style=\"height: 20px;\"><\/div>\n<p>A mostra \u00e9 uma retrospectiva completa de um dos cineastas mais importantes da hist\u00f3ria do cinema, o franc\u00eas Jean Renoir, que conta com 30 filmes em cartaz, incluindo os primeiros filmes dos anos 20, os \u00faltimos dos anos 60 e os cl\u00e1ssicos como &#8216;A Grande Ilus\u00e3o&#8217; e &#8216;A Regra do Jogo&#8217;.<\/p>\n<div style=\"text-align: justify;\">\n<div style=\"height: 20px;\"><\/div>\n<p>A exposi\u00e7\u00e3o tamb\u00e9m conta com a exibi\u00e7\u00e3o de dois document\u00e1rios &#8216;Jean Renoir, O Patr\u00e3o&#8217;, de Jacques Rivette, e &#8216;Jean Renoir&#8217;, de David Thompson), um debate com os cr\u00edticos In\u00e1cio Ara\u00fajo e Felipe Furtado e o curador J\u00falio Bezerra, e um breve curso de tr\u00eas dias que explorara toda a trajet\u00f3ria do cineasta, atravessando quest\u00f5es que tornam o seu cinema importante: realismo, relativismo, personagem e atores, com dura\u00e7\u00e3o de duas horas cada aula. Para se inscrever, \u00e9 preciso entrar em contato pelo e-mail jeanrenoirccbb@gmail.com.<\/p>\n<div style=\"text-align: justify;\">\n<div style=\"height: 20px;\"><\/div>\n<p>Confira abaixo a programa\u00e7\u00e3o completa.<\/p>\n<div style=\"text-align: justify;\">\n<div style=\"height: 20px;\"><\/div>\n<p>Quarta-feira, 1<\/p>\n<div style=\"text-align: justify;\">16h: &#8216;A filha da \u00c1gua&#8217; (1925)<\/p>\n<div style=\"text-align: justify;\">18h: &#8216;A Mulher Desejada&#8217; (1947)<\/p>\n<div style=\"text-align: justify;\">20h: &#8216;Amor \u00e0 Terra&#8217; (1945)<\/p>\n<div style=\"text-align: justify;\">\n<div style=\"height: 20px;\"><\/div>\n<p>Quinta-feira, 2<\/p>\n<div style=\"text-align: justify;\">16h: &#8216;Madame Bovary&#8217; (1934)<\/p>\n<div style=\"text-align: justify;\">18h: &#8216;O Testamento do Dr. Cordelier&#8217; (1959)<\/p>\n<div style=\"text-align: justify;\">20h: &#8216;A Marselhesa&#8217; (1938)<\/p>\n<div style=\"text-align: justify;\">\n<div style=\"height: 20px;\"><\/div>\n<p>Sexta-feira, 3<\/p>\n<div style=\"text-align: justify;\">16h: &#8216;Jean Renoir, o Patr\u00e3o&#8217;, 1\u00ba parte &#8211; &#8216;Em Busca do Relativo&#8217; (1967)<\/p>\n<div style=\"text-align: justify;\">18h: &#8216;Jean Renoir, o Patr\u00e3o&#8217;, 2\u00ba parte \u2013 &#8216;Michel Simon, A Dire\u00e7\u00e3o dos Atores&#8217; (1967)<\/p>\n<div style=\"text-align: justify;\">20h: &#8216;Jean Renoir, o Patr\u00e3o&#8217;, 3\u00ba parte &#8211; &#8216;A Regra e a Exce\u00e7\u00e3o&#8217; (1967)<\/p>\n<div style=\"text-align: justify;\">\n<div style=\"height: 20px;\"><\/div>\n<p>S\u00e1bado, 4<\/p>\n<div style=\"text-align: justify;\">16h: &#8216;Boudu, Salvo das \u00c1guas&#8217; (1932)<\/p>\n<div style=\"text-align: justify;\">18h: &#8216;A Cadela&#8217; (1931)<\/p>\n<div style=\"text-align: justify;\">20h: &#8216;French Cancan&#8217; (1955)<\/p>\n<div style=\"text-align: justify;\">\n<div style=\"height: 20px;\"><\/div>\n<p>Domingo, 5<\/p>\n<div style=\"text-align: justify;\">15h: &#8216;Le D\u00e9jeuner sur l&#8217;Herbe&#8217; (1959)<\/p>\n<div style=\"text-align: justify;\">17h: &#8216;Tire-au-Flanc&#8217; (1928)<\/p>\n<div style=\"text-align: justify;\">19h: &#8216;Um Dia no Campo&#8217; (1936)<\/p>\n<div style=\"text-align: justify;\">\n<div style=\"height: 20px;\"><\/div>\n<p>Segunda-feira, 6<\/p>\n<div style=\"text-align: justify;\">18h: &#8216;A Filha da \u00c1gua&#8217;\u00a0(1925)<\/p>\n<div style=\"text-align: justify;\">20h: &#8216;O Submundo&#8217; (1936)<\/p>\n<div style=\"text-align: justify;\">\n<div style=\"height: 20px;\"><\/div>\n<p>Quarta-feira, 8<\/p>\n<div style=\"text-align: justify;\">18h: &#8216;Nana&#8217; (1926)<\/p>\n<div style=\"text-align: justify;\">20h: &#8216;A Grande Ilus\u00e3o (1937)<\/p>\n<div style=\"text-align: justify;\">\n<div style=\"height: 20px;\"><\/div>\n<p>Quinta-feira, 9<\/p>\n<div style=\"text-align: justify;\">15h30: &#8216;Tire-au-Flanc&#8217; (1928)<\/p>\n<div style=\"text-align: justify;\">17h30: &#8216;A Marselhesa&#8217; (1938)<\/p>\n<div style=\"text-align: justify;\">20h: &#8216;Esta Terra \u00e9 Minha&#8217; (1943)<\/p>\n<div style=\"text-align: justify;\">\n<div style=\"height: 20px;\"><\/div>\n<p>Sexta-feira, 10<\/p>\n<div style=\"text-align: justify;\">16h: &#8216;La Vie Est \u00e0 Nous&#8217; (1936)<\/p>\n<div style=\"text-align: justify;\">17h30: &#8216;Jean Renoir&#8217;, 1\u00ba parte &#8211; &#8216;Da Belle \u00c9poque \u00e0 Segunda Guerra Mundial&#8217; (1993) + &#8216;Jean Renoir&#8217;, 2\u00ba parte &#8211; &#8216;Hollywood e Al\u00e9m&#8217; (1993)<\/p>\n<div style=\"text-align: justify;\">20h: &#8216;Toni&#8217; (1935)<\/p>\n<div style=\"text-align: justify;\">\n<div style=\"height: 20px;\"><\/div>\n<p>S\u00e1bado, 11<\/p>\n<div style=\"text-align: justify;\">16h: &#8216;Esta Terra \u00e9 Minha&#8217; (1943)<\/p>\n<div style=\"text-align: justify;\">18h: &#8216;A Grande Ilus\u00e3o&#8217; (1937)<\/p>\n<div style=\"text-align: justify;\">20h: &#8216;Um Dia no Campo&#8217; (1936)<\/p>\n<div style=\"text-align: justify;\">\n<div style=\"height: 20px;\"><\/div>\n<p>Domingo, 12<\/p>\n<div style=\"text-align: justify;\">15h: &#8216;French Cancan&#8217; (1955)<\/p>\n<div style=\"text-align: justify;\">17h: &#8216;O Submundo&#8217; (1936)<\/p>\n<div style=\"text-align: justify;\">19h: &#8216;A Cadela&#8217; (1931)<\/p>\n<div style=\"text-align: justify;\">\n<div style=\"height: 20px;\"><\/div>\n<p>Segunda-feira, 13<\/p>\n<div style=\"text-align: justify;\">14h: Curso &#8211; Aula 1<\/p>\n<div style=\"text-align: justify;\">16h: &#8216;Boudu, Salvo das \u00c1guas&#8217; (1932)<\/p>\n<div style=\"text-align: justify;\">18h: &#8216;Madame Bovary&#8217; (1934)<\/p>\n<div style=\"text-align: justify;\">20h: &#8216;Toni&#8217; (1935)<\/p>\n<div style=\"text-align: justify;\">\n<div style=\"height: 20px;\"><\/div>\n<p>Quarta-feira, 15<\/p>\n<div style=\"text-align: justify;\">14h: Curso &#8211; Aula 2<\/p>\n<div style=\"text-align: justify;\">16h: &#8216;Amor \u00e0 Terra&#8217; (1945)<\/p>\n<div style=\"text-align: justify;\">18h: &#8216;O Segredo do P\u00e2ntano&#8217; (1941)<\/p>\n<div style=\"text-align: justify;\">20h: &#8216;Segredos de Alcova&#8217; (1946)<\/p>\n<div style=\"text-align: justify;\">\n<div style=\"height: 20px;\"><\/div>\n<p>Quinta-feira, 16<\/p>\n<div style=\"text-align: justify;\">15h30: &#8216;Jean Renoir&#8217;, partes 1 e 2<\/p>\n<div style=\"text-align: justify;\">18h: &#8216;A Regra do Jogo&#8217; (1939)<\/p>\n<div style=\"text-align: justify;\">20h: Debate com In\u00e1cio Ara\u00fajo, Filipe Furtado e Julio Bezerra<\/p>\n<div style=\"text-align: justify;\">\n<div style=\"height: 20px;\"><\/div>\n<p>Sexta-feira, 17<\/p>\n<div style=\"text-align: justify;\">14h: Curso &#8211; Aula 3<\/p>\n<div style=\"text-align: justify;\">16h: &#8216;O Testamento do Dr. Cordelier&#8217; (1959)<\/p>\n<div style=\"text-align: justify;\">18h: &#8216;A Mulher Desejada&#8217; (1947)<\/p>\n<div style=\"text-align: justify;\">20h: &#8216;Estranhas Coisas de Paris&#8217; (1956)<\/p>\n<div style=\"text-align: justify;\">\n<div style=\"height: 20px;\"><\/div>\n<p>S\u00e1bado, 18<\/p>\n<div style=\"text-align: justify;\">16h: &#8216;Segredos de Alcova&#8217; (1946)<\/p>\n<div style=\"text-align: justify;\">18h: &#8216;O Crime de Monsieur Lange (1936)<\/p>\n<div style=\"text-align: justify;\">20h: &#8216;O Cabo Ardiloso (1962)<\/p>\n<div style=\"text-align: justify;\">\n<div style=\"height: 20px;\"><\/div>\n<p>Domingo, 19<\/p>\n<div style=\"text-align: justify;\">15h: &#8216;Charleston&#8217; (1927) + &#8216;A Pequena Vendedora de F\u00f3sforos&#8217; (1928) + &#8216;On Purge B\u00e9b\u00e9&#8217; (1929)<\/p>\n<div style=\"text-align: justify;\">17h: &#8216;A Carruagem de Ouro&#8217; (1952)<\/p>\n<div style=\"text-align: justify;\">19h: &#8216;A Regra do Jogo&#8217; (1939)<\/p>\n<div style=\"text-align: justify;\">\n<div style=\"height: 20px;\"><\/div>\n<p>Segunda-feira, 20<\/p>\n<div style=\"text-align: justify;\">16h: &#8216;Jean Renoir, o Patr\u00e3o&#8217;, 1\u00ba parte &#8211; &#8216;Em Busca do Relativo&#8217; (1967)<\/p>\n<div style=\"text-align: justify;\">18h: &#8216;La Vie Esta \u00e0 Nous&#8217; (1936)<\/p>\n<div style=\"text-align: justify;\">20h: &#8216;A Besta Humana&#8217; (1938)<\/p>\n<div style=\"text-align: justify;\">\n<div style=\"height: 20px;\"><\/div>\n<p>Quarta-feira, 22<\/p>\n<div style=\"text-align: justify;\">16h: &#8216;Jean Renoir, o Patr\u00e3o&#8217;, 2\u00ba parte \u2013 &#8216;Michel Simon, A Dire\u00e7\u00e3o dos Atores&#8217; (1967)<\/p>\n<div style=\"text-align: justify;\">18h: &#8216;O Segredo do P\u00e2ntano&#8217; (1941)<\/p>\n<div style=\"text-align: justify;\">20h: &#8216;Estranhas Coisas de Paris&#8217; (1956)<\/p>\n<div style=\"text-align: justify;\">\n<div style=\"height: 20px;\"><\/div>\n<p>Quinta-feira, 23<\/p>\n<div style=\"text-align: justify;\">16h: &#8216;Jean Renoir, o Patr\u00e3o&#8217;, 3\u00ba parte &#8211; &#8216;A Regra e a Exce\u00e7\u00e3o&#8217; (1967)<\/p>\n<div style=\"text-align: justify;\">18h: &#8216;Amor \u00e0 Terra&#8217; (sess\u00e3o closed caption + audiodescri\u00e7\u00e3o) (1945)<\/p>\n<div style=\"text-align: justify;\">20h: &#8216;O Rio Sagrado&#8217; (1951)<\/p>\n<div style=\"text-align: justify;\">\n<div style=\"height: 20px;\"><\/div>\n<p>Sexta-feira, 24<\/p>\n<div style=\"text-align: justify;\">16h: &#8216;O Testamento do Dr. Cordelier&#8217; (1959)<\/p>\n<div style=\"text-align: justify;\">18h: &#8216;Charleston&#8217; (1927) + &#8216;A Pequena Vendedora de F\u00f3sforos&#8217; (1928) + &#8216;On Purge B\u00e9b\u00e9&#8217; (1929)<\/p>\n<div style=\"text-align: justify;\">20h: &#8216;A Carruagem de Ouro&#8217; (1952)<\/p>\n<div style=\"text-align: justify;\">\n<div style=\"height: 20px;\"><\/div>\n<p>S\u00e1bado, 25<\/p>\n<div style=\"text-align: justify;\">15h: &#8216;Jean Renoir&#8217;, partes 1 e 2<\/p>\n<div style=\"text-align: justify;\">18h: &#8216;O Cabo Ardiloso&#8217; (1962)<\/p>\n<div style=\"text-align: justify;\">20h: &#8216;O Crime do Monsieur Lange&#8217; (1936)<\/p>\n<div style=\"text-align: justify;\">\n<div style=\"height: 20px;\"><\/div>\n<p>Domingo, 26<\/p>\n<div style=\"text-align: justify;\">15h: &#8216;Le D\u00e9jeuner sur l&#8217;Herbe&#8217; (1959)<\/p>\n<div style=\"text-align: justify;\">17h: &#8216;A Besta Humana&#8217; (1938)<\/p>\n<div style=\"text-align: justify;\">19h: &#8216;O Rio Sagrado&#8217; (1951)<\/p>\n<div style=\"text-align: justify;\">\n<div style=\"height: 20px;\"><\/div>\n<p>Segunda-feira, 27<\/p>\n<div style=\"text-align: justify;\">16h: &#8216;Nana&#8217; \u00a0(1926)<\/p>\n<div style=\"text-align: justify;\">20h: &#8216;A Marselhesa&#8217; (1938)<\/p>\n<div style=\"text-align: justify;\">\n<div style=\"height: 20px;\"><\/div>\n<p>Os ingressos custam R$ 10,00 a inteira e R$ 5,00 a meia.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Com exibi\u00e7\u00e3o de 30 filmes do diretor.<\/p>","protected":false},"author":46,"featured_media":28154,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[1,9067],"tags":[6653,6652,6224,6651,882],"_links":{"self":[{"href":"https:\/\/www.cinemaup.com.br\/en\/wp-json\/wp\/v2\/posts\/28143"}],"collection":[{"href":"https:\/\/www.cinemaup.com.br\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cinemaup.com.br\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cinemaup.com.br\/en\/wp-json\/wp\/v2\/users\/46"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cinemaup.com.br\/en\/wp-json\/wp\/v2\/comments?post=28143"}],"version-history":[{"count":0,"href":"https:\/\/www.cinemaup.com.br\/en\/wp-json\/wp\/v2\/posts\/28143\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.cinemaup.com.br\/en\/wp-json\/wp\/v2\/media\/28154"}],"wp:attachment":[{"href":"https:\/\/www.cinemaup.com.br\/en\/wp-json\/wp\/v2\/media?parent=28143"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cinemaup.com.br\/en\/wp-json\/wp\/v2\/categories?post=28143"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cinemaup.com.br\/en\/wp-json\/wp\/v2\/tags?post=28143"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}