[et_pb_section admin_label=”section”][et_pb_row admin_label=”row”][et_pb_column type=”4_4″][et_pb_text admin_label=”Texto” background_layout=”light” text_orientation=”justified” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n
Ontem (22), a BBC<\/strong> divulgou a lista dos 100 melhores filmes de com\u00e9dias de todos os tempos<\/strong>. A lista foi baseada na opini\u00e3o de 253 cr\u00edticos, sendo 118 deles homens e 135 mulheres, de 52 pa\u00edses e 6 continentes, a emissora fez a seguinte pergunta para eles “O que voc\u00ea acha que s\u00e3o as 10 melhores com\u00e9dias de todos os tempos?”.<\/p>\n Confira abaixo a lista.<\/p>\n 100 (empate).\u00a0“O Rei da Com\u00e9dia” (1982), de\u00a0Martin Scorsese<\/p>\n “O Terror das Mulheres” (1961), de Jerry Lewis<\/p>\n 99.\u00a0“O Panaca” (1979), de Carl Reiner<\/p>\n 98.\u00a0“Se Beber, N\u00e3o Case” (2009), de Todd Philips<\/p>\n 97. “The Music Box”\u00a0(1932), de\u00a01932<\/p>\n 96. “Nascida Ontem” (1950), de\u00a0George Cukor<\/p>\n 95. “Ghostbusters” (1984), de\u00a0Ivan Reitman<\/p>\n 94. “Rushmore” (1998), de Wes Anderson<\/p>\n 93. “South Park: Maior, Melhor e Sem Cortes” (1999), de\u00a0Trey Parker<\/p>\n 92. “O Anjo Exterminador” (1962), de\u00a0Luis Bu\u00f1uel<\/p>\n 91. “Essa Pequena \u00e9 uma Parada” (1972), de\u00a0Peter Bogdanovich<\/p>\n 90. “A New Leaf” (1971), de\u00a0Elaine May<\/p>\n 89. “As Pequenas Margaridas” (1966), de\u00a0Vera Chytilov\u00e1<\/p>\n 88. “Zoolander” (2001), de Ben Stiller<\/p>\n 87. “Os Homens Preferem as Loiras” (1953), de\u00a0Howard Hawks<\/p>\n 86. “As Oito V\u00edtimas” (1949), de\u00a0Robert Hamer<\/p>\n 85. “Amarcord” (1973), de\u00a0Federico Fellini<\/p>\n 84. “Waiting for Guffman” (1997), de\u00a0Christopher Guest<\/p>\n 83. “O Homem Mosca” (1923), de\u00a0Fred C. Newmeyer e Sam Taylor<\/p>\n 82. “Top Secret! – Superconfidencial” (1984), de\u00a0Jim Abrahams, David Zucker e Jerry Zucke<\/p>\n 81. “Quem Vai Ficar com Mary?” (1998), de\u00a0Bobby e Peter Farrelly<\/p>\n 80. “Como Enlouquecer Seu Chefe” (1999), de\u00a0Mike Judge<\/p>\n 79. “O Jantar dos Malas” (1998), de\u00a0Francis Veber<\/p>\n 78. “A Princesa Prometida” (1987), de\u00a0Rob Reiner<\/p>\n 77. “Div\u00f3rcio \u00e0 Italiana” (1961), de\u00a0Pietro Germi<\/p>\n 76. “S\u00f3cios no Amor” (1933), de\u00a0Ernst Lubitsch<\/p>\n 75. “Mulher de Verdade” (1942), de\u00a0Preston Sturges<\/p>\n 74. “Trocando as Bolas” (1983), de\u00a0John Landis<\/p>\n 73. “O Professor Aloprado” (1963), de Jerry Lewis<\/p>\n 72. “Corra que a Pol\u00edcia Vem A\u00ed” (1988), de\u00a0David Zucker<\/p>\n 71. “Os Exc\u00eantricos Tenenbaums” (2002), de Wes Anderson<\/p>\n 70. “In the Loop” (2009), de\u00a0Armando Iannucci<\/p>\n 69. “A \u00daltima Noite de Boris Grushenko” (1975), de Woody Allen<\/p>\n 68. “Ninotchka” (1939), de\u00a0Ernst Lubitsch<\/p>\n 67. “Os Filhos do Deserto” (1933), de\u00a0William A. Seiter<\/p>\n 66. “Chumbo Grosso” (2007), de Edgar Wright<\/p>\n 65, “Clube dos Pilantras” (1980), de\u00a0Harold Ramis<\/p>\n 64. “Quase Irm\u00e3os” (2008), de\u00a0Adam McKay<\/p>\n 63. “Este Mundo \u00e9 um Hosp\u00edcio” (1944), de\u00a0Frank Capra<\/p>\n 62. “O Que Fazemos nas Sombras” (2014), de\u00a0Jemaine Clement e Taika Waititi<\/p>\n 61. “Team America: Detonando o Mundo” (2004), de Trey Parker<\/p>\n 60. “Todo Mundo Quase Morto” (2004), de Edgar Wright<\/p>\n 59. “Toni Erdmann” (2016), de Maren Ade<\/p>\n 58. “Zelig” (1983), de Woody Allen<\/p>\n 57. “Meninas Malvadas” (2004), de\u00a0Mark Waters<\/p>\n 56. “Nos Bastidores da Not\u00edcia” (1987), de\u00a0James L. Brooks<\/p>\n 55. “O Melhor do Show” (2000), de\u00a0Christopher Guest<\/p>\n 54. “Ensina-me a Viver” (1971), de\u00a0Hal Ashby<\/p>\n 53. “Os Irm\u00e3os Cara-de-Pau” (1980), de\u00a0John Landis<\/p>\n 52. “Irene, a Teimosa” (1936), de\u00a0Gregory La Cava<\/p>\n 51. “Sete Oportunidades” (1925), de\u00a0Buster Keaton<\/p>\n 50. “Mulheres \u00e0 Beira de um Ataque de Nervos” (1988), de Pedro Almod\u00f3var<\/p>\n 49. “O Discreto Charme da Burguesia” (1972), de\u00a0Luis Bu\u00f1uel<\/p>\n 48. “Ladr\u00e3o de Alcova” (1932), de\u00a0Ernst Lubitsch<\/p>\n 47. “Clube dos Cafajestes” (1978), de\u00a0John Landis<\/p>\n 46. “Pulp Fiction” (1994), de Quentin Tarantino<\/p>\n 45. “Os Eternos Desconhecidos” (1958), de\u00a0Mario Monicelli<\/p>\n 44. “Miss\u00e3o Madrinha de Casamento” (2011), de Paul Feig<\/p>\n 43. “MASH” (1970), de\u00a0Robert Altman<\/p>\n 42. “Cupido \u00e9 Moleque Teimoso” (1937), de\u00a0Leo McCarey<\/p>\n 41. “Borat” (2006), de\u00a0Larry Charles<\/p>\n 40. “Os Produtores” (1967), de\u00a0Mel Brooks<\/p>\n 39. “Uma Noite na \u00d3pera” (1935), de\u00a0Sam Wood e Edmund Goulding<\/p>\n 38. “N\u00fapcias de Esc\u00e2ndalo” (1940), de\u00a0George Cukor<\/p>\n 37. “Contrastes Humanos” (1941), de\u00a0Preston Sturges<\/p>\n 36. “Um Peixe Chamado Wanda” (1988), de\u00a0Charles Crichton e John Cleese<\/p>\n 35. “Cantando na Chuva” (1952), de\u00a0Stanley Donen e Gene Kelly<\/p>\n 34. “As Patricinhas de Beverly Hills” (1995), de\u00a0Amy Heckerling<\/p>\n 33. “O \u00c2ncora: A Lenda de Ron Burgundy” (2004), de\u00a0Adam McKay<\/p>\n 32. “Arizona Nunca Mais” (1987), de irm\u00e3os Coen<\/p>\n 31. “Tootsie” (1982), de\u00a0Sydney Pollack<\/p>\n 30. “As F\u00e9rias do Sr. Hulot” (1953), de Jacques Tati<\/p>\n 29. “Harry e Sally – Feitos Um para o Outro” (1989), de\u00a0Rob Reiner<\/p>\n 28. “Aconteceu Naquela Noite” (1934), de Frank Capra<\/p>\n 27. “Se Meu Apartamento Falasse” (1960), de \u00a0Billy Wilder<\/p>\n 26. “Meu Tio” (1958), de Jacques Tati<\/p>\n 25. “Em Busca do Ouro” (1925), de\u00a0Charlie Chaplin<\/p>\n 24. “Withnail and I” (1987), de\u00a0Bruce Robinson<\/p>\n 23. “Um Convidado Bem Trapalh\u00e3o” (1968), de\u00a0Blake Edwards<\/p>\n 22. “O Jovem Frankenstein” (1974), de Banz\u00e9 no Oeste<\/p>\n 21. “Luzes da Cidade” (1931), de\u00a0Charlie Chaplin<\/p>\n 20. “Banz\u00e9 no Oeste” 1974(), de Mel Brooks<\/p>\n 19. “As Tr\u00eas Noites de Eva” (1941), de\u00a0Preston Sturges<\/p>\n 18. “Sherlock Jr” (1924), de\u00a0Buster Keaton<\/p>\n 17. “Levada da Breca” (1938), de\u00a0Howard Hawks<\/p>\n 16. “O Ditador” (1940), de\u00a0Charlie Chaplin<\/p>\n 15. “Monty Python Em Busca do C\u00e1lice Sagrado” (1975), de\u00a0Terry Gilliam e Terry Jones<\/p>\n 14. “Jejum de Amor” (1940), de\u00a0Howard Hawks<\/p>\n 13. ”\u00a0To Be or Not To Be” (1942), de\u00a0Ernst Lubitsch<\/p>\n 12. “Tempos Modernos” (1936), de\u00a0Charlie Chaplin<\/p>\n 11. “O Grande Lebowski” (1998), de irm\u00e3os Coen<\/p>\n 10. “A General” (1926), de\u00a0Clyde Bruckman e Buster Keaton<\/p>\n 9. “Isto \u00c9 Spinal Tap” (1984), de\u00a0Rob Reiner<\/p>\n 8. “Playtime – Tempo de Divers\u00e3o” (1967), de Jacques Tati<\/p>\n 7. “Apertem os Cintos… o Piloto Sumiu!” (1980), de\u00a0Jim Abrahams, David Zucker e Jerry Zucker<\/p>\n 6. “A Vida de Brian” (1979), de\u00a0Terry Jones<\/p>\n 5. “Diabo a Quatro” (1933), de\u00a0Leo McCarey<\/p>\n 4. “Feiti\u00e7o do Tempo” (1993), de\u00a0Harold Ramis<\/p>\n 3. “Noivo Neur\u00f3tico, Noiva Nervosa” (1977), de Woody Allen<\/p>\n 2. “Dr. Fant\u00e1stico” (1964), de\u00a0Stanley Kubrick<\/p>\n 1. “Quanto mais Quente Melhor” (1959), de Billy Wilder<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>","protected":false},"excerpt":{"rendered":" A lista foi baseada na opini\u00e3o de 253 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